The public intervention / procession / exhibition is a errorista experiment within the cohesion of the artistic research collective SYNSMASKINEN. The project results from a collaborative research on the global political context, specifically on the Brazilian context, and Porto Alegre as an example of a space for „specific fight“. The focus is established in the context from May 2016, after the start of the impeachment process. Composed of graphic pieces and literary and dramatic features, the project emerged from discussions on the World Social Forum as a utopian model of political representation and continuity / discontinuity of this model today. The initial Forum´s slogan – „Another world is possible“ – is here transformed into ambiguous title of the project, which clamps arguments on both sides of the current „state of emergency“ for which Brazil seems to be heading. ANOTHER ERROR UNABLE manifests as a procession through the center of Porto Alegre and as a display of a day at Villa Flores.

ERRORISM: practice or philosophy that has the error as the basis for their actions.
Erroristas: crowds, groups or individuals who practice Errorism. The Errorista International Movement was founded in 2005. http://www.erroristas.org
SYNSMASKINEN is an artistic-conglomerate and artistic research on contemporary political crises. SYNSMASKINEN is headquartered in Bergen, Norway. http://www.synsmaskinen.net

HALL – POLITICS – Picture 4:

Escape & Migration – different perspectives
An art project by Thomas Kilpper

with participation of Maria Demmel, Happiness Enobakhare, Holger Wüst, Massimo Ricciardo, Mohammad Saif, Tracy Michael, Taru Kallio, Hussein Salama, Ziad Shahet, Joy, Patience, Hashemi Ajmal, Rezhan Abdalrahman, Zhyar Mahmood, Rena Nashe, Shachalid, Mohammad Arabsada, Tiqist, Anastasia Jegorova, Naim, Majd-Alkhatib Abou Fakher, and Abdulelah Daghstan.

Exhibition opening: Saturday, 23 April, 17 – 19 hrs.
Exhibition period: 24 April to 14 May 2016
GFLK Hall South, Tölz
Wandelhalle, Ludwigstraße 14, Bad Tölz
www.gflk.de

The Tölzer Wandelhalle – a large modern building is challenged. A test row in 4 pictures, conceived by Florian Hüttner and Till Krause.

Picture 1: The hall and the swastika flag – with Katharina Sieverding
Picture 2: The Hall and the New World (American Occupation) – with Mark Dion
Picture 3: The hall and the cure – with Malte Struck and Mark Wehrmann
Picture 4: The hall and the asylum (the future) – with Thomas Kilpper
HALLE – POLITIK is sponsored by: Culture fund Bavaria, district Bad Tölz – Wolfratshausen, Jodquellen AG / Anton Hoefter

Duration of Installation:
June 20 – August 25, 2013

MEGAfon is a reference to the place and its eventful history of political demonstrations from the Weimar Republic to the time of the fall of the Wall. In this tradition, the sculpture may and should be used by everyone in the sense of a Speakers’ Corner.

To speak clearly and loudly through the MEGAfon requires courage, determination and physical effort, as the sculpture does not require an electronic amplifier. Its resonance body has little amplifying effect, but the voice is slightly alienating.

MEGAfon raises the question of who has their say in our society, who makes themselves heard. In the hundredth year since the Volksbühne was established, it has been a stage and platform for the people, for those who want to express themselves publicly, for self-styled performers as well as for the public.
for politically active people.

with the support of
Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V
Stiftung Kunstfonds Bonn
Bezirkskulturfonds des Bezirksamts Berlin Mitte

Sunday, August 11, 1pm
Artur van Balen: “The Internationale” goes international.
By singing the “Internationale” in different languages, Artur van Balen refers to an important aspect of the history of Rosa Luxemburg Square and the labour movement.

Tuesday, August 13, 9 pm
Katja von Helldorff: cosas raras – para Rosa Luxembourg
In the series “cosas raras” (“weird stuff”) this #3: a 15 minute poetic speech on bricks, time and love, is dedicated to Rosa Luxemburg.

Thursday, August 15, 8.30 pm
Kerstin Cmelka featuring Daniel Laufer: Nora
Microdrama by Kerstin Cmelka featuring Daniel Laufer. Text: Henrik Ibsen, “Nora. Ein Puppenheim”, 3rd act, last scene.
“Nora. Ein Puppenheim” was written in 1879 and premiered in Copenhagen, 1880 in the first German versions in Hamburg and
Munich and in 1890 was included in the programme of the opening year of the “Freie Volksbühne Berlin”.

Saturday, August 17, 4-8 pm,
10-minute reading rehearsals.
Achim Lengerer: Rehearsals for Peter Weiss
19 January 1970, Schauspielhaus Düsseldorf: After tumultuous scenes the public dress rehearsal of the play “Trotsky in Exile” by Peter Weiss has to be stopped after the first act. Two dozen demonstrators storm onto the stage and make a racket. The ensemble, spontaneously formed from all ranks of the audience, introduces the performance “Trotsky in Exile” with a dance.
Stephan Geene: solemn renunciation of megafonal. forever or at least now
10:00 p.m. Stephan Geene interprets the megaphone.

Sunday, August 18, 3.30 pm
Christel Gbaguidi:La Republique en Fuite/The Refugee Republic
“The Refugee Republic” is a process-oriented and pedagogical cooperation with so-called “immigrants and refugees”.
As part of the implementation of the northern phase of the project: “MIGRATION AND ICH Part 3: Over the Bridges of the Arts to a Common Homeland Earth”, some residents of the protest camp at Oranienplatz, Berlin, took the opportunity in workshops from March to June 2013 to speak for themselves and tell their own stories, anecdotes, statements about their emigration or flight, their paths to Germany, their experiences as refugees, living together with the other people with whom they share the same refugee life and space.”The Refugee Republic” invites the people of this globalised world to reflect on the concepts of “identity” and “illegality” and at the same time opens up a space of exchange between players and spectators on the subject of migration.